Kara Walker was asked to create a public work of art in the sprawling industrial ruin of the soon-to-be demolished Domino Sugar Factory in Brooklyn, New York that dominates the waterfront across the East River from Manhattan.
Walker’s 35-foot tall, 75-foot long bright white Sphinx layered in powdered sugar, lording over the factory like a deity from an alternative universe, seems like an inevitability. After seeing it, it’s hard to imagine that she could have made anything else.
We’re always surprised (and a bit envious) when someone comes up with an idea so basic, so elemental and stripped down that it seems to have been plucked readymade from the collective unconsciousness—Warhol’s Soup Cans, the phony-hating Holden Caufield, the Empire State building, the iPhone, Twitter. We sometimes imagine that the creators of these concepts must have conjured them out of thin air.